Act Conceptualisation: Part 3
A song that I’d had loitering in the back of my mind for some time, and thought might have act potential was I Let Love In by Nick Cave. It's a dark, gothic love song. I realized the lyrics were unexpectedly synchronous with the Ishtar concept I was planning for my Dark Act. I’m a little bit of a Nick Cave fan (ok fine, full disclosure – when he played at the Civic in Auckland recently I ended up going to both nights of the gig and went up the front with the Nick touchers). So I was fairly confident I wasn’t going to get sick of hearing this song over and over while I rehearsed. Do you want to read the lyrics? Ok then, if you insist:
I Let Love In – Nick Cave
The act itself I’m still learning to perform to it's full potential, currently it's in the refinement and polishing phase. But I love it. I'm very much looking forward to seeing how it evolves and what it’s final form takes. If you’ve seen The Dark Act, or Coney Bow’s Dancer in Green, does having an idea of the conceptual underpinning of this act make you consider the act in a different way? Is that a good thing? Or do you prefer to take performances at face value and make your own meanings of them? If you are a performer, how do you go about conceptualising your own acts? Feel free to comment!
Parts 1 & 2 of this series on act conceptualisation can be found on the main blog page
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